( using it correctly for cinema, one should be dropping black level of a 40 IRE gray exposed shot to 1-5 IRE, rather than lifting the highlight ceiling) This will place it optimally for the curve/rolloff, but well above the noisefloor, and correctly match cinema-standard luminance. The optimal exposure for GHa is lower than common ETTR video practice*. The 'Sicario ceiling' is a smooth style I love, and its incorporated into EC. Black level is at 1-5 IRE, faces anchor around 45 IRE, and the film Sicario placed the highlight ceiling at 75. Movies in theaters have a standard placement for scene elements that is ideal for that darkened context. This may be more approachable for LM fans, although the ideal exposure difference remains steep.Īh ok, you're exactly who I made Linear forĮC is geared around cinema luminance placement, something that I've come to realize needs documentation and detail. vlt preview this helps it 'click')Īlso, an update is on the way which will introduce 'Linear' Its features a more standard video luminance, without the 'Sicario ceiling' highlight shoulder. (I recommend shooting entirely new footage exposed to visual taste using the. This effect may be the reason why EC footage from others seems right, while the footage that you've seen with LM in your own workspace won't initially feel right. Especially if you've been using LM for awhile, EC can look especially wrong on reference footage that you've become acclimated to seeing in the LM space. The LM lut heavily prefers ETTR, while EC is best suited to a moderate exposure (middle gray at 40IRE), to avoid placing key scene elements in the rolloff. A big thing with those coming from Leeming is that footage exposed for it will not be ideally exposed for EC.
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